Monday, October 11, 2010

ARROWS







The theme of my drift is arrows. While driving downtown I started to notice an obnoxious ammount of arrows. I then decided to manipulate all of the arrows and I am thrilled with the results.   

Monday, October 4, 2010

Treaty Signing at Medicine Creek Lodge

Shayla Plotts
10/5/10
Art 160
Howling Wolfe 1875-1878/ John Taylor 1867
Treaty Signing at Medicine Creek Lodge

The Treaty Signing at Medicine Creek Lodge Illustrations has interesting history behind them. After reading the critical process information, it actually turns out the illustrations are nearly a decade apart from each other. John Taylor’s sketch is from the treaty signing itself, and Howling Wolf’s sketch is from memory while imprisoned at Fort Marion in St. Augustine, Florida. In my opinion the more representational piece of art is John Taylor’s version of the peace treaty. I think this, because Taylor’s version is more realistic, and gives a better visual image of that day on October in 1867. The more abstract version of the peace treaty would be Wolf’s version. If a person looked at his version they would have a more difficult time visualizing the actual event. They would notice the artier in the lines, and notice the separation the river creates, maybe then assuming that the meeting was not the only event taking place. This then allows their minds wander to other ideas and theories.

The illustrations differ in form in that the structure of the work is created very differently. The angles of both sketches are different including color, variety and scale. Taylor’s landscape is noticeably larger than the humans, the humans also blend naturally with grass, logs etc. Wolf’s landscape is very similar to the height of the people in his portrait. In his illustration the tree is fairly close to the size of an Indian or man from the government which is technically not accurately proportioned. The cultural difference in the two works of art is, Taylor’s art is looking straight forward and very direct. You see the forward image and that is all. Wolf’s image allows the viewer to see all aspects of the occasion from a bird’s eye view. Perhaps seeing at a bird’s eye view is a more spiritual Indian belief, and looking at an image directly and straight forward is more authoritative and in control, like the American government portrays.  

Taylor’s work is ethnocentric in that all of the Indians in his illustration for the most part look the same; when in fact Indians have many different levels of social status in their attire. Wolf’s art work notes many different styles and colors on the Indian peoples clothing. He shows detailed difference between the Cheyanne, Arapaho, Kiowa and Comanche people.

What is suggested to me between the two cultures is that in the Indian society woman are praised and put at high praise. They are caring, loving, knowledgeable mothers. Women are made out to be reason for life. In the white man’s culture woman are left to the kitchen and aren’t brought into matters more than household and marriage. In a tribe everyone speaks.

Monday, September 27, 2010

Eugene Delacroix, The Death of Sardanapulus, 1827

Eugene Delacroix

Eugene Delacroix was born at Charenton, near Paris in 1798. Delacroix attended Lycee Louis-le-Grand where he won many awards and succeeded in many sketches. His uncle encouraged him to continue on with his passion for art at the Beaux-Arts Academy in Paris. Eugene was influenced early on in his career by English landscapists and a man named William Hogarth. He made many trips to other countries to become more inspired and to learn more techniques. He even spent six months in Morocco and was fascinated by local life and land.
His most known piece is “The Latter”, which represents liberty and freedom. He was also the leader of the French Romanticism art movement. He later died in 1863.
I chose “Sardanapulus” on page 73, in A World of Art Text Book. The painting was created in 1878. The work of art shows a king watching his servants, acquaintances and animals being slaughtered under his order of command. The painting is intense in showing death although there is beauty reflecting from the gory image.  
Cited Source: Encyclopedia of Irish and World Art http://www.visual-arts-cork.com/famous-artists/delacroix.htm YouTube! http://www.youtube.com/watch?v=yQLwAYSHH0U&feature=fvst

Monday, September 20, 2010

" Road to Paradise"

Shayla Plotts
9/20/10
Art 160

"Road to Paradise"
"Road to Paradise" (2008) Oil on Linen
Collection of Lisille & Henry Matheson

   
Chester Arnold's work of art is a portrayal of mankind destroying the earth around him. The "road" has been demolished by previous residents. The land now littered and used has been left vacant, with little potential left the piece of art work is shouting beauty, in what now lye. Although, the destroyer doesn't seem too far ahead!

Natural humans used to believe that land was sacred and should be cared and sought after. In today’s society, human nature couldn't deplete land any more quickly, and surprisingly land is still highly sought after. "New land hides polluted waste land." -Myself. Many remains from the oil painting are everyday things like cigarettes, paint, letters, a piano, and even a notebook. Pointless objects to those who left them, but beautiful additions to the 'ghost" land. A great piece of lush, green, turf is partially rolled out into an excited stream flowing tenderly and relaxed. The large green turf is just the beginning to the celebration that is undoubtedly occurring. An axe has been left behind in the stump of a tree. Long ago, this would have been a mistake for the axe, was an essential to undeveloped safety and living. Perhaps the celebration is life. A fountain of water is birthed through the ground of the neighborhood sidewalk and is essentially praising the earth with jewels. But do we know where the water is coming from? 

Already a wonderful green frog has discovered the empty land and gives an example of how wildlife will remain because of destiny. In turn, a sewage drain is beginning to leak pollutants in the fresh stream of water, proving that even this new sacred land will soon be spoiled. The letters thrown carelessly on the ground seem unimportant. Letters have lost face value and the electronic world has defeated “old fashioned” communication. Something also noticed in the painting, is a tire swing notifying the fact that impressionable children were present, and very well may continue through life with careless habits, conditioned into them from their parents.  I believe Chester Arnold’s message in "Road to Paradise" is beauty may be created in any situation.